Blues on the Bayou

One Kind Favor B.B. King returns to his blues roots with the help of producer T Bone Burnett on "One Kind Favor,". The legendary artist is backed on the effort by pianist Dr. John, drummer Jim Keltner and bassist Nathan East. The track list includes such blues chestnuts as Big Bill Broonzy's "...	Riding with the King It sounds like the beginning of a story: "So, Slowhand and the King of the Blues were riding in a car ..." If this is a musical journey, it's the kind that rolls down long, empty stretches of country highway at 80 miles an hour, with the top down and the stereo blasting. Clapton ...	Live in Cook County Jail One of the greatest concert recordings of all time. How could it be less, with B.B. King performing some of his best material before a literally captive audience in an Illinois prison? "Worry, Worry" and "How Blue Can You Get" take on deeper meanings here, although King works the...	Live at the Regal Heralded as one of the greatest live blues albums ever recorded, this set catches the singer-guitarist as his star was in ascent: in 1964 playing Chicago's answer to Harlem's Apollo Theater--the Regal. King's performance is visceral. He sings so hard that gravel flies even in his...	Blues Summit This is B.B. King's most delightful recording of the '90s. He duets with other blues greats, including Koko Taylor ("Something You Got"), Buddy Guy ("I Pity the Fool"), Etta James ("There's Something on Your Mind"), Ruth Brown ("You're the Boss"), and his dear friend John Lee Hoo...
The Ultimate Collection B.B. King's music has been anthologized and put in box sets many times, but this is the first single-disc collection that truly spans the American icon's career. It starts with his breakthrough 1951 No. 1 R&B hit "Three O'Clock Blues" and ends, chronologically, with 2000's "Ten L...	B.B. King - Greatest Hits	Deuces Wild B.B. King, probably the most celebrated living blues player, has come a long way from Itta Bena, Mississippi, and this CD illustrates just how far. A series of guest shots by such artists as Van Morrison, Tracy Chapman, Eric Clapton, Mick Hucknall, Bonnie Raitt, Dr. John, Joe Coc...	Skin Deep It’s erroneous to characterize this 2008 Buddy Guy release, his first in three years, as a comeback, since he’s never been gone. But between a spotlight stealing performance in Martin Scorsese’s Rolling Stones concert flick Shine a Light in the same year an...	Indianola Mississippi Seeds In the late '60s and early '70s, B.B. King made a series of albums in Los Angeles using rock-world ringers and session players as ABC sought to replicate the chart success of "The Thrill Is Gone." These recordings are mostly dispassionate filler, but this album is an exception. P...

I guess the 90's did mean something !!!!
I lived the 90's, this is the BEST and FEW ( IF any ), albums made that a FAMILY ( kids and adults ) could listen to. This is the best album of the 90's. BB KING is 10 times better now then in the 50's. And the work he is putting out is 10 times better then any-band on earth. WHY, don't no. The man tries. Other bands and singers......just don't care. You don't have to like BLUES, to love this album. THAT's BB KING's SECRET.

Yes!
You like Blues? You like B.B. King? You like Slow Hand Clapton? You will love Ridin with the King! Foot stomping, finger tappin and you will feel like dancin!

Another masterpiece
What can you say,its BB King! Lots of great instrumentals and the songs just keep coming. Not a bad track in the bunch, no disappointment here.

BB at his laid back best
I just checked out this release from the library yesterday and was totally surprised at how good it is and will order a copy of my own through Amazon.I like the "live in the studio" feel.Its also a great practicing tool for any pickers out there to work on your "in the style of BB King" licks.Heck,I was plugged halfway through the first song,the beautiful minor key "Blues Boys Tune".Inspiring stuff and a solid cd.Thanks,Blues Boy!

Not enough O's in SMOOOOOOOOTH....
I've always liked B.B. King's music ever since I was a kid when I'd catch him on TV periodically. He just seemed genuine in his playing and the style and sound was something that appealed to me personally. So I started to collect some of his music in the late 70's after I got out of college. Then I had the privilege of seeing him perform "live" twice in the mid 90's while I lived in Spokane, WA. His love of the music and his joy in bringing it to you was palpable. The thrill was definitely not gone for Riley B. King. So I started to revisit his catalog and I came across Blues On The Bayou. The reviews were sterling across the board, but what attracted me to this particular disc out of all 15 or so that I have was that he used his ROAD BAND in the studio. For many artists, this is not standard practice. They use producer chosen studio folks for their recording sessions. This is one reason that mainstream music coming out of Nashville has that "sameness" to it - it's all the same guys playing in different configurations behind a variety of artists. The music might as well come off the end of a conveyor belt coming out of a factory for all the originality it displays. Well, not in this case. First thing they did here was use a little recording studio somewhat off the beaten track. This is good strategy because it eliminates the distractions over the course of the days given over to recording. There's just pretty much you and the music and so you can get deeper into it as you attempt to find the best sounds in recording it. In the case of this disc, it paid off in spades. The choice of songs fits the title and the musicianship is top notch across the board. If you like lively, smooth sounding blues, you can't go wrong here. Sample the various tunes and I dare you to tell me I'm wrong....