Farewell, Angelina

Joan Baez History's ear hasn't been kind to Joan Baez: in retrospect, set against the traditional voices whose material she interpreted, her own versions seem painfully pretty, her soprano icy and removed. But it's hard to gauge now the force of her first record, a folk-revival landmar...	Joan Baez, Vol. 2	Joan Baez/5	The First 10 Years She had the public persona of a saint, and a face and voice that captured all the idealism, innocence, and optimism of the '60s folk revival. She wasn't the movement's greatest talent, but her work helped shape all women balladeers who followed. Baez's best youthful work is here...	Any Day Now Joan Baez beat Bob Dylan to folk stardom, but she soon became one his biggest supporters, key interpreters, and briefly his lover. Any Day Now finds her playing all three roles; supporting, interpreting, and loving a disc full of his songs. Many of the more curious numbers ("The ...
Diamonds & Rust Perhaps the most outstanding folk album of the 1970s, this collection represents Baez's blossoming from a girlish folk icon into a mature interpreter of folk music. The title track (and, to a much lesser degree, "Dida" and "Children and All That Jazz") showcases her songwritin...	Joan Baez in Concert, Pt. 1	Joan Baez - Greatest Hits Before Joan Baez, the closest thing to a white female folksinger was Jo Stafford. Baez made her professional debut in 1959 at the Newport Folk Festival and started recording for Vanguard the next year. Her early association with Bob Dylan and performances of his songs did him no ...	Joan Baez in Concert, Pt. 2	Day After Tomorrow 2008 marks Joan Baex 50th anniversary as a recording artist. The album was produced by the legendary Steve Earle. Joan gives her distinct interpretations to songs from Tom Waits, Elvis Costello, Steve Earle, Patty Griffin and more. Razor and Tie.

It's great!!
This Cd is very good, I recommend it to anyone who likes to hear the beautiful voice of Joan Baez. I studied German in college, so it was fun to hear "Sagt mir wo die Blumen Sind" (Where Have all the Flowers Gone?). I am fond of folk music and enjoy hearing songs sung in languages other than English.

More accessible and less dark, but no less beautiful
For her fifth album "Farewell, Angelina", Joan Baez, by now an established star with Top Ten albums in both Britain and the United States, moved away from the spare, dark and atmospheric renditions of traditional folk material that had dominated her first five albums, of which the two live releases In Concert and In Concert, Part 2 had been the best. "Farewell, Angelina" ornamented Baez' voice and guitar with acoustic double bass on all twelve tracks and half also featured Bruce Langhorn on electric guitar. Whilst this did make for a less dark atmosphere that may be easier to digest for listeners my age who never were exposed to American folk this traditional, such songs as the title track and "Hard Rain's A-Gonna-Fall" (which I knew from the brilliant 1973 Bryan Ferry rendition) showed Baez singing in a way that reaches the heart in a way seldom equalled. The more traditional numbers themselves, like "The Wild Mountain Thyme", lost little from the changed approach of Baez and producer Maynard Solomon because Joan obviously possessed such complete confidence that she could tackle styles of music well beyond basic guitar-and-voice folk with wonderful ease - shown later on her last really good album Baptism where she lost no beauty when speaking poetry. With my knowledge of linguistics I see humour in Baez' failure to properly pronounce the front rounded vowels in "Sagt mir, wo die Blumen Sind"! "Satisfied Mind", the darkest track on the album, is made really cryptic by Baez' and Solomon's penchant for deep, beautiful arrangements. All in all, this is a change of direction, but one with which Baez clearly was totally confident. Definitely recommended for fans of traditional folk.

retro enjoyment, as good as you remember
After Eight Belles was put down at the Derby, I remembered the lyrics in Stewball, about don't bet on the little grey mare, most likely she'll stumble, most likely she'll fall... and she does, ....and pulled out my old Baez songbook, my guitar, and records. Then I ordered a few of the same but CDs. They are as good as I remember, and now I cry for Eight Belles when I hear "Stewball"."There But for fortune" is as relevent now as then, all of them are priceless, what a voice!

Joan Baez
Haunting voice, lots of Bob Dylan tunes. I miss folkand this reminds why.

One of her very best releases, even better now...
I confess I tired of Joan about 20 years ago, and most of the albums I have sampled since she left Vanguard for A & M and other labels leave me cold. But this one is uniformly excellent, and the three added songs only make the original a better bargain. She was in excellent voice, had superb instrumental backing, and a wonderful variety of songs. I can recall playing this a couple of times a week throughout the 70's. "Farewell Angelina" is the one I sang along with more often than the others, but all the performances are great.