The Bootleg Series, Vol. 4- Bob Dylan Live, 1966- The "Ro

The Bootleg Series, Vols. 1-3 : Rare And Unreleased, 1961-1991 Bob Dylan has always been incredibly prolific, only releasing a fraction of what he records. Such a policy has made him a prime target for bootleggers over the years, finally prompting this sanctioned 1991 triple-disc dive into the Dylan vaults. It consists of rare tracks, unrele...	The Bootleg Series, Vol. 6: Bob Dylan Live 1964 - Concert at Philharmonic Hall The brooding Bob Dylan of the 1966 live collection in the Dylan bootleg series gave way to an even more hooded character on the second live bootleg album from 1974. Which makes the jump back to a younger Dylan in this set all the more jarring. Here is Dylan as an eager-to-please ...	Bob Dylan Live 1975 (The Bootleg Series Volume 5) One of the many oddities of Bob Dylan's long and unruly career has been the rather cursory recording treatment given his stint as ringleader of the Rolling Thunder Revue. It's a shortcoming that's rectified with the release of Live 1975. Prior to the appearance of this two-disc c...	No Direction Home: The Soundtrack (The Bootleg Series Vol. 7) Book-ended with an embryonic recording made by a high school friend and a live, boisterous take of "Like a Rolling Stone" less than seven years later, the fifth release in the Bob Dylan Bootleg series (and the soundtrack to Martin Scorsese's Dylan documentary of the same name) pr...	The Basement Tapes The Basement Tapes can be heard as a manifesto for the '90s' underlying Americana agenda or as the greatest album never intended for commercial release. Homegrown 1967 recordings taped in the Band's fabled Big Pink hermitage in Saugerties, New York, many of the 24 songs resonated...
Tell Tale Signs: the Bootleg Series Vol. 8 2 CDs with 27 songs in a brilliant box with a 60 page booklet.	Highway 61 Revisited Dylan was virtually gushing great songs when this masterpiece arrived in the summer of 1965. From the epochal opening of "Like a Rolling Stone" through the absurdly apocalyptic closer, "Desolation Row," his command of surrealistic language was daring and amazing. As a vocalist, h...	Bringing It All Back Home "You sound like you're having a good old time," a purist Dylan fan is spotted telling the artist in the documentary Don't Look Back just after the release of this, his first (half-)electric album. He certainly does. Updating Chicago blues forms with hilarious, tough lyrics--in fa...	Before The Flood [Live With The Band, 1974] Dylan has issued a large number of live albums in his day, but 1974's Before the Flood deserves special mention because of the presence of the Band behind him. Dylan had recently brought the Band into the studio to record the chart-topping (yet still somehow underappreciated) Pla...	Blonde on Blonde

Dylan & The Band - essential recordings
For a while the most bootlegged rock record of all. When this was released in 1998 I rushed out and bought it immediately. I had an old cassette recording that somebody had copied from somebody else from a bootleg LP. So at least 3rd hand and thought I would never see the day that Dylan allowed this to be issued properly. I'm not going to talk about the recordings, as other reviewers have already covered these in ample detail. The CD's (2) are well packaged with a 54 page booklet which gives you a lot of information into the background and history of these recordings. As a leftfield starter the booklet mentions the famous 1913 Stravinsky performance of "The Rite of Spring" which caused a riot. Despite this excellent packaging its the recordings that will grab you by the throat. Dylan in the mid 60's changed popular music for ever. Although The Band worked and toured with Dylan many times this is the essential live album to get. The Basement Tapes are another set of brilliant recordings never intended for release originally. Both sets are highly recommended.

The Bootleg Series, Vol. 4: Bob Dylan Live, 1966: The "Royal Albert Hall Concert"
The Bootleg Series, Vol. 4: Bob Dylan Live, 1966: The "Royal Albert Hall Concert" is a stupendous live album that is surrounded with plenty of controversy. At the time people wanted Dylan to continue to play protest songs. On the first half of the concert we only get Dylan, guitar and harmonica. But instead of political songs we get introspective songs that deal with life, feelings and such. It is the seond cd part of the concert that was considered controversial. Here we have Dylan playing electric guitar and playing together with a rock band. As it is written so well in the book-let "Bob Dylan, intent on following his own inner vision, wasn't the first artist to NOT give the audience what they wanted...but he may have been the loudest". I could not agree any more with this. The book-let is quite amazing. It is quite massive to be a concert record, i.e., 50 pages and is loaded with information and very nice photographs. This is a live album not to be missed.

What more can be said about it?
I'll just give it five stars. The fact it's also really well released with an amazing booklet just makes it vital. Dylan at full command of his craft. If you haven't got it... get it!

TIME CAPSULE DICHOTOMY
This is the infamous 1966 "Judas" concert at Royal Albert Hall, Manchester, England, where Bob Dylan formally performs electric in front of a British audience. The first half is done in classic acoustic, and I must admit it is awesome. The second half of the show is an electric joke & confrontation between Bob and fans: BUT IT'S HISTORY! Bob was booed, and this was even mentioned on the evening news. (I may be wrong, but I think I remember this was on the evening news). Bob really knows how to infuriate fans or stir up intense feelings for him. One fan, as I read, felt he had to drink beer in order to drown away his feelings of being let down by a DVD that supposedly had a less-than enthusiastic Bob performing live somewhere--what happened to the boy that once lit up the whole world?--was his observation. In this intense relationship with Bob come intense expectations. After all, Adoration, Admiration, Love, Loyalty, Devotion, and yes, even Worship in some cases, need to be reciprocated with at least some enthusiasm, don't you think? In this second part where he plays really awful renditions of his brilliant songs that were done correctly on the original CDs, he totally traumatizes helpless and horrified fans who don't even want him to go electric. But what you will get, however, is LOADS of ENTHUSIASM. You're not complaining, are you? Bob changes into his leather jacket for the electric half and he brings out his band. Fans are not happy throughout the second half, but toward the end of the program, you can actually hear someone call him "Judas!" and Bob answers with "I don't believe you" after which he sings with more venum & force--"how does it FEEEEEL!" Bob is booed in the second half (poor Bob). There is confrontation between fans, purists and Bob. INTENSE indignation is felt on both sides of the stage, and Bob, equally very hurt plays even louder and more horrible (you can even hear him saying, "play F--- loud!". You can get highlights of what some of the fans say after the concert from the DVD No Direction Home. Get this as a historical event, and you won't be disappointed. All is forgiven and forgotten by now. Hey, cool pictures in the insert booklet! I am pretty much done with my Dylan albums. The only ones I don't have is Self Portrait, (which I won't get because Bob did this album just to get rid of his fans & he hardly wrote any songs in it) and Knocked Out Loaded and Under the Red Sky (maybe a little later I'll get these last two) and maybe a couple of live ones I still don't have. Now I want to look up and listen and honor Bruce Hornsby a little. I won't forget Bob. His CDs are still in my stereo (especially Oh Mercy)--see my reviews, and I will jump on his new CD when he makes one, and I wish him a very very very long life. WHAT ON EARTH would we fans do without him?! (I got this CD a while back, but I guess I'll leave my opinion).

Essential Live Album
Ranks right up with the best live albums ever such as Live at Leeds, Allman Brothers/Fillmore, Frampton Comes Alive, Johnny Cash at San Quenten, Bill Evans at the Village Vanguard. Nuff said. Essential live album and a desert island disk(s).