No Angel
Dido's debut is molded from Sarah McLachlan's intimate soul, Sinéad O'Connor's Celtic yelp, and Beth Orton's morose resolve--with all the sharp edges rounded out. Sculpted by producers Rollo (her brother) and techno-scientist Youth, No Angel is dream-pop mixed with Portishead-es... | 
Life for Rent
Despite its somewhat polite, trip-hoppy surface, Dido Armstrong's music frequently rests on a melancholy that can only be called courageous in the current pop world. Few singer-songwriters with 12 million record sales behind them would offer a single such as Life for Rent's "Whit... | 
Safe Trip Home
(Amazon.co.uk Review) Safe Trip Home, the third album from singer-songwriter Dido, sees the chanteuse cook up a slightly different ambience than on previous albums No Angel (1999) and Life for Rent (2003). Though her signature elements remain in place--the limited, slightly crack... | 
Closer-The Best of Sarah McLachlan
Closer: The Best Of Sarah Mclachlan contains 24 classic tracks personally selected by the artist from her award-winning catalog, as well as two newly recorded and previously unreleased songs, "U Want Me 2" and "Don't Give Up On Us", working with her longtime producer Pierre March... | 
Down to Earth
Down To Earth is the 2008 album by Jem. Since her 2004's acclaimed Finally Woken, Jem has spanned the globe. Born in Wales, she resides in LA. On Down to Earth Jem shared production and writing duties with cohorts both old and new, Jeff Bass, one of the two brothers credited wit... |
Dido Live (DVD/CD Set)
Recorded at London's Brixton Academy in 2004, Dido Live draws on material from 1999 debut No Angel and 2003 follow-up Life for Rent. As she notes early in the show, "It's very nice to be in a place where I've seen hundreds and thousands of gigs." Dido and five-piece band--includi... | 
White Flag/Life for Rent
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Moondance
Van Morrison went a long way towards defining his wild Irish heart with his first two classic albums: the brooding, introspective Astral Weeks (1968), and the expansive, swinging Moondance. If the first was the work of a poet, its sequel was the statement of a musician and bandle... | 
Fumbling Towards Ecstasy
Pre-Lilith Fair, McLachlan had critical acclaim and a cult following but was otherwise just another hard-working female singer/songwriter--one who wasn't blasting down doors with overt sexuality or popping along in front of a male Svengali. Similar in their emotional urgency to h... | 
Breakaway
Kelly Clarkson could have played her American Idol-propelled career much differently, languishing in the role of dippy ingénue or shunting her musical development by leaning too heavily on overnight stardom. Instead she dug in her heels and allowed good sense (or a good manager)... |
