Fitzcarraldo

The Cost You're three tracks into The Cost before you find a song, "The Rise," that opens with anything but singer Glen Hansard's voice as the first thing you hear. The beauty is, you're waiting for the voice, with its hints of Cat Stevens's tonality and its utterly distinct Irish lift. I...	The Swell Season Frames front man Hansard has teamed up with classically trained Czech vocalist and pianist, Irglova to produce this album of affecting songs and compositions. From straight songs to piano instrumentals, "The Swell Season" affords an insight into a whole other side of Glen/The Fra...	Once: Music from the Motion Picture Even those allergic to musicals may be won over by Once, a tender-hearted Irish romance with songs by Czech Republic-born Markéta Irglová and Frames frontman Glen Hansard. (The film's director, John Carney, actually used to play bass in the group.) The trick here is that Irglov...	Set List Hugely popular in their homeland of Ireland, the Frames top the charts and play to 30,000 people in Dublin. The aptly-titled live album is their fifth and the one they're hoping will connect in America. The quintet's sound draws upon such acts as the Clash (with whom they share a...	Once Studio: Tcfhe Release Date: 10/14/2008 Run time: 86 minutes Rating: R
Dance the Devil Unavailable in the U.S.! Dance The Devil is the third album from this Dublin, Ireland-based band led by former Commitments co-star Glen Hansard, who would later gain fame in the critically successful music-based film Once. In the U.S., the band changed their name to The Frames D...	Burn the Maps On their first studio album in nearly four years, the Frames have opted for a fuller, more adventurous sound than on 2001's Steve Albini-produced For the Birds, although this placid, smoky-bar ambiance owes more to 'Birds than to 1999's Dance The Devil. From the opening acoustic ...	For the Birds Few albums are rich enough with a sense of place that they transport you to a different landscape. Engineered by famed producer Steve Albini, the Frames' fourth full-length release, For the Birds, is such an album. But instead of dropping you in Ireland, the band's home, or in an...	Once Collector's Edition CD/DVD Includes 2 extra tracks and DVD featuring "The Real Life End - A Story on the Making of ONCE" and live performances by the film stars Glen Hansard & Marketa Irglova	The Roads Outgrown

One of the Frames' best!
FITZCARRALDO is, plain and simple, a fantastic album. After hearing live versions of several of the tracks on the superb SET LIST, I knew I had to have this album in my collection. Every track has something special about it. The title song alone makes the album worth owning. There is so much going on musically in "Fitzcarraldo" that I all I could do was sit and listen with my mouth open in amazement. "Revelate" begs to be danced to, "Evergreen" boasts a surprising guitar riff, and you'll find it hard not to sing along with "Angel at My Table" and "Denounced". Fans of ONCE will recognize the stellar "Say It To Me Now", presented here in its full electric version. "Your Face" is a beautiful, mellow tune that ties up the album well. FITZCARRALDO is an album that begs to be listened to over and over. For those who are new to the Frames, this is the perfect place to start. Seasoned Frames fans...for heaven's sake, why don't you have this album yet??

Excellent Album
After watching the movie Once, I began reading reviews of albums recorded by the Frames. Other reviewers of Fitcarraldo considered this to be the Frames best work, and although I have yet to listen to any other Frames albums besides the Cost, I have to admit this is one fine album. Although this album is not a standout sonically, the songs and Glen's singing keep it high on my rotation. Give it a listen; you won't be disappointed.

The Frames' masterpiece from 1996
It is a shame that this is only available at present on an import edition. The success of their new album THE COST has won the band a lot of new fans. For those new to the band, they are similar to the Feelies in that both bands are extraordinarily good live but somewhat flat on record. THE COST is one of the rare exceptions for the Frames, as is this album from 1996. I'm on the fence as to which album I like more. THE COST might be a better album on a cut by cut basis, but the highpoints of FITZCARRALDO might be better than the best on THE COST. But hairsplitting like this is really pretty meaningless. If you love the one album, you will also love the other. My advice: get both. A lot of people like to call The Frames the best album in Ireland. They well may be, but I think a lot of statements like this are driven by the relative lack of success the Frames have had contrasted with the excessive success enjoyed by U2. For many of us U2 is the band we hate to love. There is no question that they are great, but the gap between them and the Frames is smaller than the latter's failure to sell many records would imply. I personally would rather hear Glen Hansard sing than Bono. He may lack Bono's power in the upper registers, but there is an angst and expressiveness in Hansard's voice that I never find in Bono's. All that aside, the Frames is a band that will shock people coming to them for the first time. There seems to be no rational explanation for why they aren't huge. Hansard is both a great singer and a great songwriter and while they are uneven in the studio they are among the best live acts in rock. FITZCARRALDO is filled with a string of really fine songs, as well as a few great ones. As I write this I'm listening to the three-song progression of the title track, "Evergreen," and "In This Boat Together." What more could you want from music than this? Hansard is so soulful in his singing that he almost brings to mind another great Irish soul singer, Van Morrison. "Monument" is another gorgeous song (one that really does sound like U2). "Revelate" (I love the variant on "reveal" and "revelation") is another. My favorite song on the album, however, "Giving It All Away," with contrasts great playing by the band (including some great bass lines) with some of Hansard's best singing on the album. This band deserves to be huge. They probably won't be. But I do urge anyone who loves music to at the very least get this album and their more recent album THE COST. BURN THE MAP and a couple of their live albums (like I said, they are at their best live) are also definitely worth exploring, but the two albums I've identified should be in any serious music library.

The Frames' masterpiece from 1996
It is a shame that this is only available at present on an import edition. The success of their new album THE COST has won the band a lot of new fans. For those new to the band, they are similar to the Feelies in that both bands are extraordinarily good live but somewhat flat on record. THE COST is one of the rare exceptions for the Frames, as is this album from 1996. I'm on the fence as to which album I like more. THE COST might be a better album on a cut by cut basis, but the highpoints of FITZCARRALDO might be better than the best on THE COST. But hairsplitting like this is really pretty meaningless. If you love the one album, you will also love the other. My advice: get both. A lot of people like to call The Frames the best album in Ireland. They well may be, but I think a lot of statements like this are driven by the relative lack of success the Frames have had contrasted with the excessive success enjoyed by U2. For many of us U2 is the band we hate to love. There is no question that they are great, but the gap between them and the Frames is smaller than the latter's failure to sell many records would imply. I personally would rather hear Glen Hansard sing than Bono. He may lack Bono's power in the upper registers, but there is an angst and expressiveness in Hansard's voice that I never find in Bono's. All that aside, the Frames is a band that will shock people coming to them for the first time. There seems to be no rational explanation for why they aren't huge. Hansard is both a great singer and a great songwriter and while they are uneven in the studio they are among the best live acts in rock. FITZCARRALDO is filled with a string of really fine songs, as well as a few great ones. As I write this I'm listening to the three-song progression of the title track, "Evergreen," and "In This Boat Together." What more could you want from music than this? Hansard is so soulful in his singing that he almost brings to mind another great Irish soul singer, Van Morrison. "Monument" is another gorgeous song (one that really does sound like U2). "Revelate" (I love the variant on "reveal" and "revelation") is another. My favorite song on the album, however, "Giving It All Away," with contrasts great playing by the band (including some great bass lines) with some of Hansard's best singing on the album. This band deserves to be huge. They probably won't be. But I do urge anyone who loves music to at the very least get this album and their more recent album THE COST. BURN THE MAP and a couple of their live albums (like I said, they are at their best live) are also definitely worth exploring, but the two albums I've identified should be in any serious music library.

Damn This Is Good.....
Honestly, I could write endlessly about how incredible this band is both on cd and live in concert but I really wouldn't be saying anything different from all the other reviewers. I guess the greatest compliment I can give Glen and the rest of the band is that on Friday, I am flying from Vancouver, Canada to London for four days and my sole reason for going is to attend The Frames show on February 20, 2007. If you get the chance to see this amazing band live, you should grab it. They are the #1 live band. The song Fitzcarraldo still sends shivers down my spine especially the live version.