The Original Peacock Recordings

The Original Peacock Recordings
Manufacturer:Rounder / Umgd
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      The Original Peacock Recordings


Prodcut Description: [More Information ...]
Clarence "Gatemouth" Brown's 1950s recordings fuse the energy of big-band horns, the shuffles and boogies of R&B, and his own white-hot guitar leads. Greatly influenced by fellow Texans Blind Lemon Jefferson and T-Bone Walker, Brown absorbed their smooth, melodic, single-string solo technique, but added a rough-edged intensity to his explosive style. The slow blues "Dirty Work at the Crossroads" added Jimmy McCracklin's rolling piano to Brown's bold and brash guitar work, but it was the 1954 instrumental "Okie Dokie Stomp" that put Brown on the map. With blaring horns urging him on, Brown attacks the music with ferocity. "Ain't That Dandy" is another instrumental guitar romp, while 1959's "Just Before Dawn" features Brown's swinging violin. --Marc Greilsamer

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Reviews:

blistering guitar
all of these recrodings were made between 1952-1959, and they show why Clarence Gatemouth Brown was such an influence on so many gutiar players after him. He and T Bone Walker were the undisputed kings of Texas Blues. There is even a cut where he plays violin, which sounds a bit like old SugarCane Harris stuff. Great CD.

"Gate" opens many many doors
The Peacock Recordings are wonderful, to me, who came late (just in the last 15 years) to Gatemouth's army off fans. His fiddle sizzles, his guitar is immediately recognizable - a veritable signature style. It's hard to distinguish between these tunes and most of his recent releases. To say that is a curse to some but to my ears it means he has ploughed many many different rows and yet the Gate imprint is on every one. Fans or would-be buyers should also check out his "new world" (somebody else's term not mine) recordings with a Namibian drummer and Ry Cooder. Better yet, if you can find it, check out his "Making Music" album created with Roy Clark (yes, Hee Haw's Roy Clark, 5 or 10 times winner of artist of the year in circles around Nashville). A veritable how-to for about six or seven different kinds of blues-ish music. Buy this Peacock album, play it (or inflict it) on friends because they will only - ears open - love it. It is musicians like Gatemouth who make the blues so personal, so enduring, so powerful. A living history that I pray will be still accessible twenty, nay, 50 years from now.

Gatemouth's swinging blues...
T-Bone swings, B.B. swings, and Gatemouth swings. Rare blues violin performance shines. A1 sound quality. You must have one.

Rare violin blues.
Although most tracks are guitar blues, the finest part of this compilation is, needless to say, "violin blues". It is a shame that this phenomenal blues violinist recorded only one violin blues song.

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Description: The Original Peacock Recordings

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