The Inevitable Rise and Liberation of Niggy Tardust

The Slip Limited edition includes a bonus DVD. The Slip (also known as Halo 27) is the eighth major studio release by American industrial rock band Nine Inch Nails. The album was produced by Trent Reznor alongside Atticus Ross and Alan Moulder.	Ghosts I - IV Japanese three CD pressing of the Industrial band's 2008 release features a bonus CD that contains commentary on the album by band leader Trent Reznor. Ghosts I - IV is a 36 track instrumental collection, almost two hours of music composed and recorded over an intense ten week ...	Saul Williams Arriving six years after he made a splash with the film Slam and three years after his debut disc Amethyst Rock Star, the second album from spoken-word standout Saul Williams is a knot of contradictions. It challenges hip-hop orthodoxy through the liberal use of heavy rock sample...	Y34RZ3R0R3MIX3D / [CD/DVD Combo] NINE INCH NAILS: Y34RZ3R0R3M1X3D YEAR ZERO ALBUM REMIXED: STEPHEN MORRIS, BILL LASWELL, KRONOS QUARTET, SAUL WILLIAMS, OLOF DREIJER, THE FAINT AND MORE REMIX IT YOURSELF: EVERY MASTER MULTI-TRACK MADE AVAILABLE "I'm very pleased with the way it turned out," says Trent Reznor ...	Modern Guilt In the last few years, Beck has freely sailed the seas of electronic and alternative music, but he is now back on land with Modern Guilt, an album that gravitates mostly toward electronic music and that, unfortunately, only has a couple of songs that really stand out ("Modern Gui...
One Day As A Lion After almost a decade of speculative anticipation on the part of his fans, Rage Against the Machine's Zach de la Rocha finally returns to the studio, with former Mars Volta drummer Jon Theodore. It's been a long wait, but if anything, the machine's sway has only grown more insidi...	Third Portishead's Third has been a long time coming, the result of a lengthy creative torpor following 1997's dark, distinctly underrated album Portishead. Importantly, though, they've shaken it. While the core trio of Beth Gibbons, Geoff Barrow, and Adrian Utley remains, this is quit...	The Dead Emcee Scrolls: The Lost Teachings of Hip-Hop In the underground labyrinths of New York City's subway system, beneath the third rail of a long forgotten line, Saul Williams discovered scrolls of aged yellowish-brown paper rolled tightly into a can of spray paint. His quest to decipher this mystical ancient text resulted in a...	Slam A darling of the 1998 festival circuit, Marc Levin's Slam won the Grand Jury Prize at Sundance as well as the Camera d'Or (best first film) at Cannes. Despite its shortcomings, the film merits these awards--Slam offers a strong cast and compelling subject matter, a perfect setti...	The Odd Couple With its cinematic origins The Odd Couple is the natural title for the second album by a pair who seem to spend as much time in wardrobe as the studio and whose recordings are often compared to film scores. Their greatest hit, 2006's "Crazy" was even built around a chunk of a spa...

A great Saul Williams entry
If you like Saul Williams already, you'll like this album. If you like Trent Reznor produced albums, you'll like this album. If you like heavy beats and political messages about gov't and race, you'll like this album.

Great For Collectors And Fans, But...
I buy the albums that I love on vinyl because I'm crazy about hot items with vintage looks. I'm a fan of Saul Williams and this album and own it BECAUSE I love the album so much. However, unless you LOVE this album like I do, I don't suggest buying this. The thing with current releases on LP format is unless you own a record player and USE IT and LISTEN TO THEM, they really aren't worth the $20-30. My verdict: If you LOVE the album, buy it on LP. If you're into only a couple songs from it, buy the album on CD. There are no special "LP Only" tracks on this item so no need to worry.

Niggy... Uh, I mean, Curtis rocks!
I have to thank Nike. Not for a pair of shoes but because I may never have heard of Saul Williams without Nike's use of "List of Demands" in their "My Better" advertising campaign. That song, included here and on his self-titled album, instantly captivated me and revealed I was missing something special. Saul Williams is special. He has a remarkable talent for wordplay that can suck you in and not let go. Thankfully, he is intelligent and socially aware enough to use that talent to deliver a message. Add to that a knack for laying down infectious rhythms (thanks also go to Trent Reznor and CX KiDTRONiK for this latest release), and you have two remarkable records (I have not yet heard and therefore cannot comment on Amethyst Rock Star). Saul's latest release is a great mix of industrial rock and hip-hop. He sings, he raps, he speaks. Ambitiously, he creates a new persona in Niggy Tardust. The obvious reference is to David Bowie's Ziggy Stardust. But because that was before my time, I relate it to Bono of U2 and the different characters he portrayed on tour. I think the idea is genius and the potential is limitless. Some random thoughts about the music... Adding another reason to think of U2's Bono is the cover of "Sunday Bloody Sunday". Saul stays more true to the original than I imagined he would, but he still makes it his own. It is a remarkable cover. Sampling Public Enemy in "Tr(n)igger" was done to great effect - it was great hearing Flav (before he became a caricature of himself) and Chuck D. I was reminded of Jonathan Davis of Korn on "Break" ("let it out, blow it out, spit it out, get it out"). DNA features Saul's voice synthesized to wicked effect. Top to bottom, the album has infectious rhythms and powerful lyrics. I wrestled somewhat with a four or five-star rating. Certainly a couple songs are not on par with the rest in my opinion. But at more than 70 minutes in length featuring 20 songs, he has given us a lot of material to enjoy. Finally, while listening to the album and considering it, I heard the following line, "F*** the bull**** whether from the Hill or from the pulpit". As long as Saul Williams is intent on verbally assaulting us out of our slumber, I'll strike what I might characterize as lesser songs up to taste. Go on ahead, Saul!

Amazing sound.....amazing album
First off, to all the nay sayers about this having an "Industrial" sound, get off your high horse. Saul picked up on this sound on his own, therefore its his style that HE chooses. This album is amazing from start to finish. When it first hit the internet last year, i couldnt stop playing it. I still to this day hold his album in high reguard. To yourself a favor and listen to it for yourself.....pay no attention to this review or any of the others on here. Once you've done that, come back and write your own review

Saul Williams for Vice President
Saul Williams is making a righteous statement with this album, and it seems that many people have missed the point. The rap industry has dumbed down its most prominent figures into n-words, the very thing many of its artists have been fighting against in their poetry. Subtly stated in the chorus of the satirical opening track, "The banana peels are carefully placed", Saul is pointing out that the state of mainstream rap is just waiting for the artist to slip and fall back into the unevolved, simian craving for "money cash hoes". I have always believed there is a difference between rap and hip-hop. Hip-hop to me has a more positive connotation, with progressive lyricists such as Mos Def, Talib Kweli, and Common cutting paths underground to shed a positive, open-minded message. Saul is among these leaders in the hip-hop genre. Let's not forget that Saul was the first semi-well known artist to release his album online exclusively. Yes, months before radiohead, and about a year before his co-conspirator Trent Reznor, this was the initial slap in the face to the music industry. The dark pulse of Trent Reznor driven beats is the perfect backdrop for the dark message Saul is trying to convey. Unless he completely sells out, he will never "team with a big name producer"; he represents the anti-mainstream. Key tracks such as "Black History Month", "Tr(n)igger", "Niggy Tardust", "Raised to Be Lowered", and "The Ritual" demonstrate the theme of his concept album perfectly. Quoted from the song "Niggy Tardust" - "When I say Niggy, you say nothing. Niggy - NOTHING! Shut up." There's another person who missed the point. As a twenty-something white male, I feel that Saul's political poetry stands alongside Barack Obama in pushing racism back into the 20th century. Ignore the naysayers, and do not ignore this album.