The Ultimate Collection

Riding with the King It sounds like the beginning of a story: "So, Slowhand and the King of the Blues were riding in a car ..." If this is a musical journey, it's the kind that rolls down long, empty stretches of country highway at 80 miles an hour, with the top down and the stereo blasting. Clapton ...	The Definitive Collection	Blues on the Bayou Opting for simplicity this time around, B.B. King gets by with a little help from his excellent backing band, producing an album that's evocative of the Louisiana countryside where it was recorded. After over half a century in the business, King knows what he's about: he makes pl...	The Definitive Collection	B.B. King - Greatest Hits
80 The blues master's 80th birthday gift to his fans is his third all-star collaboration. Its dozen tunes are a mix of classics and obscurities from King's past. They include commendable versions of his signature "The Thrill Is Gone," with Eric Clapton trading vocal lines and licks,...	The Very Best of John Lee Hooker A million or so collections, all from different record labels, document this Detroit blues guitarist's influential boogie-woogie career. This 16-song Rhino CD is an excellent starting point, with definitive versions of Hooker's classics "Boom Boom," "Boogie Chillen'," "I'm in the...	Complete Clapton Eric Clapton: his music, his story. 36 of Eric's greatest songs from 1968 to 2006 in one collection for the first time ever! This 36 selection multi-disc set features hits from 1968 to 2006 including "Crossroads," Badge," "Layla," "Tears In Heaven," "Change The World" and much mo...	Live at the Regal Heralded as one of the greatest live blues albums ever recorded, this set catches the singer-guitarist as his star was in ascent: in 1964 playing Chicago's answer to Harlem's Apollo Theater--the Regal. King's performance is visceral. He sings so hard that gravel flies even in his...	The Sky Is Crying: The History of Elmore James Other post-WWII Chicago bluesmen are better known, but the work of Elmore James holds up as well as any of theirs. If he never had the technical accomplishment of, say, Earl Hooker, he did have as much depth of emotional expression as Muddy Waters; just listen to the sweetness of...

BB King - The Ultimate Collection
What can I say? It's BB King's greatest hits. If you're a BB King fan who wants to stick one CD in and drive, this is the one!

Poor Recording
This recording is aweful. I've heard B.B. King in concert, and he sounds a lot better than this. This recording makes his voice sound harsh and flat. Maybe the LP is better. Try that instead of the CD.

BBKing the ultimate collection
It is awesome I gave it to a friend for Christmas and she loved it

All My Favorites Are On This Album
This album is aptly named: it really is the ultimate collection. And with 21 tracks, you really get your money's worth. All the old favorites are here.

Great introduction to B. B. King
B. B. King is one of the best known bluesmen of the past several decades. His first hit came in 1951 with the wonderful "Three O'clock Blues" (more on this cut below). Nonetheless, his reputation was not very widespread among "mainstream" America. That changed with the British invasion (the Rolling Stones, Animals, Yardbirds, and so on) as well as the Paul Butterfield Blues Band (the liner notes do a good job of chronicling King's career). By the later 1960s, he became well known to people throughout the world. And in 1970, his great song, "The Thrill is Gone," became a hit. Even though this is a nice compilation of his best works, one can always wonder about items excluded. Personally, I regret that "Why I Sing the Blues" was not a part of this CD. But that is hardly a major problem. One final comment before taking a look at a sampling of his works on this CD. His guitar playing, of course, is legendary, but his is a restrained style, not spitting out a bazillion notes in a few seconds, as some guitarists are wont to do. But his guitar playing is mesmerizing. Some cuts: "Three O'clock Blues": This is a nice example of his blues singing. He has a fine voice, a nice blues voice. He looks around, in the song, at 3 O'clock in the morning. "Well, I can't find my baby, Lord, I can't be satisfied." His guitar work is sterling, but understated. There is a very well done guitar turn about 2/3 of the way through. All in all, a strong work. "Sweet Sixteen": This cut begins with some very well done guitar work. Not wild playing, but controlled and oh so effective. It reminds one that playing fast is not necessarily playing well. He sings of when he met his baby, when she was "sweet sixteen." He says that she was "the sweetest thing I ever seen." But then things soured and she left. He displays great blues singing, as he wails away about her running away from him. "The Thrill Is Gone": Quintessential B. B. King. This features wonderful guitar work. "The thrill is gone" is sung throughout as a recurring phrase. The pain of lost love is manifest. And his splendid guitar work is a glue that holds the work together. "Nobody Loves Me but My Mother": This is short but cool! One of my favorites. There is nice keyboard playing. One of the great blues lines is repeated in this bagatelle: "Nobody loves me but my mother, And she could be jiving, too." When all is said and done, this is a good way for anyone interested in B. B. King to be introduced to his work. His blues playing on guitar and his singing are top notch. A good CD to add to one's musical library.