The Heavy Circles

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Good Band, But a Word to the Wise
Not so much a review as a heads up, the reviews currently up here are referring to band called "Heavy Circles" of which Edie Brickell is apparently a member. The product featured here is from "Circle" a band from Finland, with a minimalist drone rock vibe. A 7" release, side a is little more in the rock vein than their standard fair, becoming a faced paced psychedelic jam as the song progresses. Side b is more of a sludgy, distorted groove. Well worth picking up if you like this sorta stuff.

Very good songs, superb production
How does this differ from Edie Brickell's solo albums or her three records with New Bohemians? The songs are tighter, lyrically and musically. I like that. There is more variety in musical style. I like that too. Edie's singing is wonderful, with the right blend of control, power, and that loose sliding into and away from the notes she does so well. It isn't wildly different from what she's done before, but I sense a greater attention to detail in all aspects of the album -- writing, arranging, recording, mixing. This is super-professional, well-scripted musical fare. Harper Simon and Edie Brickell seem to make a sympathetic musical team. It's only pop music, it isn't Beethoven's Fifth Symphony, but the music has a depth and richness that contrasts with the nothingness of the American Idol genre. I hope this is only the beginning. This is the most promising stuff I've heard Edie Brickell perform. More, more!

Very good album
I never had much interest in Edie Brickell but this album peaked my interest. It is a good solid album

A good showcase for Brickell and Simon
I really like Edie Brickell's voice, and this album really takes advantage of how flexible a vocalist she is. I also like the lyrics by Harper and Edie and their other collaborators, like Yuka Honda. Just listening to the musicians trying stuff out is fun, and the overall result is great to hear. I will probably play this a lot.

Tight, Sonically Layered Compositions
The Heavy Circles is a project of Edie Brickell's and Harper Simon's (Paul Simon's son from a previous marriage). It may be easier to think of this as an Edie Brickell project, but Harper Simon's production and guitar work help give the CD a different sound than what you'd expect from Brickell. First of all, for those of you who only think of Edie Brickell from her 80's hit "What I Am" with her band New Bohemians, then you haven't been paying attention. The New Bohemians have had two follow-up albums: "Ghost of a Dog" and last year's "Stranger Things." Edie has been involved in a number of other projects, as well as solo work: "Picture Perfect Morning" and 2004's "Volcano." In addition, Edie has been posting songs she considers her "stray songs" on her website, and more recently to her MySpace page. Over the past year in particular, she has been especially prolific. While she may consider some of these tunes as toss aways, I consider the collection her best "album." Like short poems jotted down in a notebook, they are personal, endearing and raw. And like all of Brickell's work--well written. The Heavy Circles CD is decidedly more polished compared to these "stray songs." But what struck me first is how tight the compositions are. Most songs run barely three minutes and never overstay their welcome. This is in sharp contrast to her latest effort with the New Bohemians (Stranger Things), where the songs seemed a bit more airy. This makes sense, as Brickell has been quoted as saying she always considered the New Bohemians a jam band. Not saying one approach is better than the other, but the tighter approach on The Heavy Circles serves the songs well. What struck me next is how sonically layered each song is. This is a CD you will need to listen to with a good pair of headphones in order to get the full effect. This no doubt is thanks to Harper's production skills as well as the guest musicians and vocalists. I have heard two versions of songs before where the soul of the original has been removed after adding layers of unnecessary sound. However, in this case, the layers never overpower the tunes; they only serve to enhance. A good example is the first track, "Henri," which serves as a sonic interpretation of Henri Matisse paintings. If you do the work and search for Matisse paintings online, or if you have a book of his work handy, you can just about create a picture book that goes along with the clever lyrics that describe each. The song has a retro 60's feel with a middle-eastern flair. It is easily the most unique song on the album. Other stand out tunes: "Better" is a piano-pounding romp with impressive guitar work and rapid-fire lyric delivery from Edie. "Easier" is soulful ballad with a hint of country. The beginning of "Maximo" is the closest we get to familiar sounding New Bohemians territory, but then the song suddenly explodes into an ethereal mix. "Dynamite Child" is an unapologetic hard-hitting rock tune, and "Oh Darling" ends the set with a mid-tempo jewel rich with sounds to make your headphones happy. [...]